Francisco Dorado

Within my artistic practice, I have always made use of reprocessing as a
methodology of extractions of forms and information, and as an interface
for reaching out to hidden stories of my own identity. I think about
reproduction, sampling, granular synthesis, echoing, as a way through an
organical archeological ways of creating cultural belonging. Think about it as
the world of information as a source of impure analog oscillators, which can
only be extracted as bits of data to create a story revealing time through
time. In this way I make use existing images, existing sounds and video
footage to rediscover and reorganise structures of thought, that hopefully,
go beyond art and reach out as somehow a message to the every